Singaporeans

Singaporeans or Singaporean people (Malay: Orang Singapura; Chinese: 新加坡人, pinyin: Xīnjiāpō Rén; Tamil: சிங்கப்பூரரும், t. Ciṅkappūrarum) refers to people whom are citizens or identify with the city-state of Singapore. Singapore is a multi-racial and multi-cultural country, with Chinese, Malays and Indians historically making up the majority of the population. The vast majority of Singaporeans descend from the people of China, India and the Malay Archipelago. In 1819, the port of Singapore was established by Sir Stamford Raffles, who opened the port to free trade and free immigration on the south coast of the island. Many immigrants from the region settled in Singapore. By 1827, the population of the island was composed of people from various ethnic groups.

According to the 2006 AsiaBarometer survey, a majority of Singaporeans identify themselves as "Singaporean", while a small percentage prefer to identify with their racial group. Currently, the population of Singaporeans stands at 3,343,000 and the population of overseas Singaporeans stands at 212,000.

Woman

A woman is a female human. The term woman is usually reserved for an adult, with the term girl being the usual term for a female child or adolescent. The term woman is also sometimes used to identify a female human, regardless of age, as in phrases such as "women's rights". "Woman" may also refer to a person's gender identity. Women with typical genetic development are usually capable of giving birth from puberty until menopause. In the context of gender identity, transgender people who are biologically determined to be male and identify as women cannot give birth. Some intersex people who identify as women cannot give birth due to either sterility or inheriting one or more Y chromosomes. In extremely rare cases, people who have Swyer syndrome can give birth with medical assistance. Throughout history women have assumed or been assigned various social roles.

Etymology

The spelling of woman in English has progressed over the past millennium from wīfmann to wīmmann to wumman, and finally, the modern spelling woman. In Old English, wīfmann meant "female human", whereas wēr meant "male human". Mann or monn had a gender-neutral meaning of "human", corresponding to Modern English "person" or "someone"; however, subsequent to the Norman Conquest, man began to be used more in reference to "male human", and by the late 13th century had begun to eclipse usage of the older term wēr. The medial labial consonants f and m in wīfmann coalesced into the modern form "woman", while the initial element, which meant "female", underwent semantic narrowing to the sense of a married woman ("wife"). It is a popular misconception that the term "woman" is etymologically connected with "womb", which is from a separate Old English word, wambe meaning "stomach" (of male or female; modern German retains the colloquial term "Wampe" from Middle High German for "potbelly"). Nevertheless, such a false derivation of "woman" has appeared in print.

Woman (1918 film)

Woman is a 1918 American silent film directed by Maurice Tourneur, an allegorical film showcasing the story of women through points in time. Popular in its day, the film was distributed in the State's Rights plan as opposed to a major distributor like Paramount or Universal. This film has been preserved in private collections and in major venues like the Museum of Modern Art and reportedly the Gosfilmofond Archive in Russia.

Some scenes were shot at Bar Harbor, Maine. It was here that one of Tourneur's cameramen, John van den Broek, lost his life while filming a scene close to the raging Atlantic Ocean. His body was swept out to sea and never found.

Prints of this film are held at Cineteca Del Friuli, Germona, the Museum of Modern Art, New York, and Gosfilmofond of Russia, Moscow.

Plot

As described in a film magazine, a modern man and woman quarrel and, in reaction to his wife, the husband recalls all the women in history who have failed their husbands or lovers. Being in an unpleasant state, he recalls Adam in the garden with a very vain Eve who disports herself in a Broadway fashion and causes the downfall of caveman-like Adam. Then he dwells on the hideous betrayal of Claudius by an unfaithful Messilna. Next he recalls the useless ruination of Abelard by the charming Heloise. Following this episode he remembers Cyrene and the fisherman, where the wife basely deserted her husband and children to swim once more in her seal skin that had been hidden from her for many years. A particularly disagreeable episode in which a young woman during the American Civil War sacrifices a wounded soldier for a bauble. After this the modern woman returns and pins up a Red Cross poster, and the modern man sees the many women of today as more or less uninspiring. An epilogue noted how World War I made men realize the true value of women, and that women are working towards victory through good works in the Red Cross and other jobs.

Woman (1968 film)

Woman (여 - Yeo) is a 1968 three-part South Korean film directed by Kim Ki-young, Jung Jin-woo and Yu Hyun-mok. The film was based on ideas of Kim Ki-young's wife, Kim Yu-bong, and Kim directed the last third.

Synopsis

The film is a melodrama about a man who falls in love with a woman while traveling to Seoraksan. The man becomes infatuated with the woman's hair. The woman, who has a terminal illness, promises to leave her hair to the man after she has died. Later the man finds that the woman has died, and her hair has been sold to someone else. He then has a romantic relationship with another woman who turns out to be his mother.

Cast

Notes

Bibliography